We spent a lot of time creating the best possible analog sound for mastering, direct tape copies and direct LP masters. We use the highest possible cables from Audioquest/Schnerzinger and some other brands, AC filtering etc. to keep the organic vibe and life-like sound that was taking place in the moment.
On sunday 13 nov. we did the Live-To-2-Track analog recording at the MCO Hilversum. Carmen’s Inc. was in shape and all the people loved the performance! ‘ The sound is amazing on tape ‘ as what everybody says ! We did a lot of tuning to get it right, you’ve only got one change to record on tape! There is no way back, once you push the record button …
” Recording artists onto analog tape is the way it should be recorded to get the full potential of the performed organic energy , blending and dynamics ” -Michael van Polen-
What a beautiful day. Cutting a record. Just me and Mike del Ferro The sound. Oh my word. Have never heard a piano sound better- or my vocals, or my guitar! Just incredible. Honoured to be in the same studio as Lester Young, Oscar Peterson and the great Miles Davis. They all recorded here in the 60’s and it’s still the same!
Eddy Koopman is a composer/producer and works as principal percussionist since 1989 with the Dutch Metropole Orchestra, the Netherlands leading light music orchestra. Additionally, Eddy works as a freelance musician by various leading national and international bands/orchestra’s
Eddy has worked with many national and international artists such as: Wende Snijders, Trijntje Oosterhuis, Blof, Huub van der Lubbe, Marco Borsato, Willeke Alberti, Paul de Leeuw, Herby Hancock, John Scofield, Terry Bozzio, Joe Zamuel, Pat Metheny, Jean ‘Toots’ Thielemans, George Duke, Terry Bozzio, Shirley Bassey, Gino Vanelli, Lucie Silvas, Elvis Costello, Sezen Aksu, Oleta Adams.etc.
Some time ago we asked Atzko Kohashi if she was interested in recording her piano playing on to analog tape, she was surprised “why not go digital” because she likes the articulation.. So I told her the in’s and out’s about recording to tape..’ My Piano playing sounds so real on tape ‘It’s like a mirror‘ is what she said when we record Atzko. She is all about melody , she talks music, she thinks music, she is music !
The voice of Carmen sounds warmer and bigger on tape that creates a very nice integration with the instruments used.It has a ‘life’ experience to it.Carmen: “I am really curious how the analogue tape of our recording sounds on real high-end loudspeakers 🙂 “
It was so nice to here myself back on to tape the emotion of that day came immediately back and turned in to tears. Never had thought that tape sounded so good!
Silence .. improvisations .. soundscapes .. every note counts. The Pat Metheny-like sound that Bram creates translates into a beautiful journey. if he keeps playing you will never wake up !
‘from now on I only want to be recorded on tape’
Music is in the soul of Wolfert, every note he play’s catches you right away and takes you in to his dimension, that’s why I asked Wolfert to even play some more after the concert to go deeper into the sound experience Joost and Wolfert got in.
The bass comes alive with all it’s emotion through tape it gets more organic.You can see Peter playing behind Carmen in the sound field.Tape gives the stage back to the audience.
It was a really nice experience to listen our live recording back in the controle room and there we are playing.. even without mastering it sound already so good, I’m very impressed!
If you’ve never recorded on tape then you will never know what it feels like if you hear your own instrument back and the dynamics you put in, it’s like a dream.. so beautiful, tape is the way to record music period !
It’s an amazing experience how the instruments blends togetter. While listening back to the tape sounds like it’s almost ready for pressing!